My ten year Faceversary ticked over just recently. It was more a time for reflection than celebration. A whole lot has changed in the world of social media. I didn’t even have a smart phone back then. I was using my old iMac desktop (we never used to call them desktops till laptops came along. Ditto landlines before mobile phones). I remember logging in and logging out each time I used Facebook, too! Who does that now? And whatever happened to changing your Facebook language to pirate?
Anyhoo, back to “Not being on fire”. This Facebook page began not long before I signed up. I don’t think I really knew what a ‘page’ was when I liked it. I just thought it was funny. I wasn’t the only one. It never quite cracked a million likes, but it came pretty close. Not bad for a page that is really nothing more than a funny title! Its also fairly sage advice. Not being on fire is something we should probably celebrate more often. Especially when we are looking down the barrel of climate change catastrophe.
In those ten years social media has evolved from bordering on the inane to becoming a highly politicised platform for evermore oppositional views. From a newsfeed filled with cute puppies, home cooked meals and exotic beaches, it’s now species loss, glyphosate residue and plastic polluted oceans. I’m as guilty as anyone. Have we simply created echo chambers for our own views or has social media evolved into a genuine platform for change? Its hard to imagine how all the recent student strikes about climate change would have gained such momentum without it.
On the eve of a federal election I am optimistic that people are wanting meaningful change, a paradigm shift that sees economics subject to the environment, not the other way round. There is no economy without a healthy environment. There is also no justice, equality or peace without a healthy environment. We are already beginning to exhaust our resources simply mitigating disaster, let alone maintaining any sort of reasonable lifestyle. We simply cannot sustain even the current cost of flood, fire and drought across the globe.
But a healthy environment is not simply the absence of disaster, it is one that thrives, grows and nurtures, just as individual health is not simply the absence of disease, but the presence of well being, meaning and happiness. Some are already calling this the climate change election, and protestors and even governments across the world are declaring or calling for a state of climate emergency. So where was I again? Oh yes, not being on fire! Let’s vote for the people that want not only to not be on fire, but alive and well and happy, and that can only happen with a healthy environment.
This is a good read on the subject: https://science.anu.edu.au/news-events/opinion/how-do-we-go
The first time I can remember ever, even vaguely, ‘celebrating’ Australia Day, was in 1988, the bicentennial celebration of the arrival of the First Fleet in what is today known as Sydney Harbour. What I remember more vividly was the amount of money that was going into ‘dressing up the nation’ leading up to the big event. If you don’t remember those heady days, you will certainly have seen its legacy; the cracking and crumbling pavers laid in the ubiquitous herringbone pattern, covering just about every inch of every main street of every city, town and suburb across this Land also known as Australia. Being a landscape gardener myself at the time, I remember the lure of the dollar to go to work on the pièce de résistance, the pinnacle of paving, Darling Harbour. I could’ve earned double what I was earning, working for a small business in the hills district of Sydney’s north-western sprawl; but then, I’ve never been one much for the madding crowd…
I don’t think the debate about Australia Day has as much to do with what happened on the actual date, as what it set in motion. It was barely a day, more like several hours, after the First Fleet’s inglorious departure from Botany Bay, crashing into each other, watched on by the two French ships that anchored the same day. The official commissioning of Phillip was on the morning of the 7th February, the night after Australia’s first ‘B & S party’ on the shores of Sydney harbour, but that’s a whole other story. Phillip, for his part, was quite empathetic to the Aborigines he encountered, and refused a reprisal, even after he himself was, sometime later, speared. But what can’t be denied is that the arrival of the First Fleet set in place the machinations of colonisation that forced the First Nations people off their Land by warfare, poisoning, displacement, starvation and murder. Many changes have taken place since 1788, and as a modern Nation we can take pride in many achievements. But that doesn’t change what happened over the last two centuries of occupation. I believe this is an issue of national empathy towards a people that now find themselves a minority in the Land that was theirs, and theirs alone for Millenia.
The best way I can think to convey this is to tell the story of some of my ancestors, the Scots. On 16 April 1746, the Jacobite rebellion was soundly defeated on the field of Colluden. Two thousand Scots died, and two hundred British. This wasn’t the first battle between English and Scot, but it certainly was the last. What also died that day, and, in the ensuing weeks, was traditional Gaelic highland life. Their culture, icons and language were banned, and much of their Lands were taken control of by British aristocracy. In the following century this allowed the mostly British Land owners to clear the Land of people to make way for sheep. The parallels to colonisation in the new world are blatant. Now if the British rulers had imposed that Scotland Day would be held on the 16th April each year, they probably would’ve got away with it. The only people that would’ve objected would’ve been the same people who now had no voice, the ones directly oppressed by the British rulers. The 16th of April, has, for many Scots, been a day of mourning, a day when the life they had continued for thousands of years came to an abrupt end. That is how I empathise with the plight of Aboriginal people now wanting to change the date. It’s not about changing history, it’s about changing attitudes, and having empathy for a marginalised people who mourn the loss of tens of thousands of years of culture and connection to their Land. I reckon even Captain Phillip would’ve supported changing the date.
The trouble with Australia Day being set on (approximately) the first day of British invasion is exactly that fact. The invasion of Australia was decisive and ultimately successful. Every order and commission carried out under the Union Jack was achieved: naval outposts to secure trade and military supremacy, a place to send prisoners transported from England, Ireland, Scotland, Canada, South Africa and any other British controlled territory, and eventually the conquest of Land to supply the British Empire with wheat, wool and finally minerals. From an Anglo perspective, the invasion and ruling over this Land was a great success, and helped form the greatest Empire that has ever existed, under the reign of Queen Victoria. Moreover, once claiming its independence from Britain, and becoming a constitutional monarchy, Australia has forged ahead as a successful, modern Nation. So, celebrating the invasion of this Land actually makes sense, no less than Americans who celebrate their independence from the British in 1776, on the Fourth of July, setting in motion the displacement of America’s First Nations. So here’s the rub: the Aboriginal Nations never ceded their Lands, and as far as they are concerned, they are still being colonised, still being ruled over by a foreign government, and neither the British nor Australian governments have ever recognised their sovereignty. So, for Aboriginal people to say that Australia Day is a day of mourning, a reminder of all the atrocities that have and continue to be brought upon them by a foreign power, is equally compelling and true.
I’m all for changing the date, but not because it is historically inaccurate, nor because there is nothing to celebrate about Australia or being Australian, but simply because Aboriginal people are taking the lead and asking to change the date. It is well to remember that it is only since 1994 that all states and territories began having a public holiday on the actual date, the 26th. Although Australians have been celebrating Australia Day since the 1930s, and taking a public holiday, on the Monday closest to the 26th, it has hardly been a big occasion; not until the bicentennial celebrations of 1988. It serves us well to also remember Aboriginal people have been officially mourning and protesting the date since the Sesquicentenary year of 1938. It is no coincidence that Aboriginal protest and request to change the date have heightened in intensity as the ever increasing patriotic fervour and flag waving continues around the country each year on the 26th of January. It is also worth noting that many Aboriginal people are happy to celebrate Australia as a modern nation, just not on the same date that their Lands were invaded, and life as they knew it, changed forever. The sovereign First Nations of this vast Land are simply asking to change the date. They are not telling anyone not to celebrate Australia as a nation, nor even what date it should be changed to, but they are asking us to listen.
There are all number of dates that could be chosen, and many a perfunctory choice has been suggested by middle-aged white men, so being of that genre, I am reticent to put forward any suggestions. Again, I would prefer to wait and listen to the voice of Aboriginal people. However, I will advocate for what I believe is at the heart of this matter, and fuel for both sides of the argument over an arbitrary date, and that is a treaty. A treaty isn’t simply recognition of the past, nor an apology, or even a declaration of independence. It is the legal right to self-determination and self-government. In 1960, the General Assembly, of the United Nations, adopted its landmark Declaration on the Granting of Independence to Colonial Countries and Peoples, affirming the right of all people to self-determination. So, to this end, I believe we, modern Australians, need to listen to what Aboriginal people are saying, what they are asking for, what they want for themselves, and then, most importantly, give them the time to work it out and the autonomy to enact their choices. Back to my ancestors, the decision of the Parliament of Scotland to ratify the Treaty of Union in 1707, forming Britain, was not unanimous and, from that time, individuals and organisations have advocated the reinstatement of a Scottish Parliament. Some have argued for devolution – a Scottish Parliament within the United Kingdom – while others have advocated complete independence. The people of Scotland first got the opportunity to vote in a referendum on proposals for devolution in 1979 and, although a majority of those voting voted ‘Yes’, the referendum legislation also required 40% of the electorate to vote ‘Yes’ for the plans to be enacted and this was not achieved. A second referendum opportunity in 1997, this time on a strong proposal, resulted in an overwhelming ‘Yes’ victory, leading to the Scotland Act 1998 being passed and the Scottish Parliament being established in 1999. There may come a day when Scotland becomes an independent nation.
For the Aboriginal peoples of this Land also known as Australia, let’s listen, support, and give them the autonomy they require to enact their own destiny.
It is interesting that whenever something ‘new’ comes along we are quick to make comparisons. Its hard not to. We also readily interpret the new as yet another ‘overnight success’. I’ve read several articles drawing various comparisons between the new Moonah Arts Centre (MAC) and other artspaces and organisations about the place, and that’s OK, but I kind of like the expression, ‘it is what it is’, because in my experience that is so often the case. The new MAC is definitely one of those places that is what it is.
So what is it?
MAC is Moonah’s Old New Artspace. Its been around the block once or twice and has established itself as a part of the northern suburbs on a number of levels. Why? Because it is a council run space that has evolved with the people for the people for well over 20 years. Old MAC’s space goes back even further, a gift to the community by the then EZ company in the 1920s, one of two halls in fact, the twin being demolished in the 1960s. The remaining building was for some years the local library, a fact that wouldn’t be lost on MAC’s first Arts & Cultural Development Officer.
The new MAC is certainly new, in fact it is state of the art in every way. It is a purpose built artspace, something surprisingly rare in the artworld today. But before I make any comparisons, before I claim that it is a premium space among Hobart’s many and varied artspaces, let’s look again at what it is. It still is a council run space that will continue to evolve with the people and for the people, because that’s what MAC does. The new building itself is no mere architectural wonderspace, it is the result of many months of community consultation. The architects have listened and responded well.
MAC is not an art institution in the traditional sense. It doesn’t collect, conserve and research in an institutional manner. But it will continue to bring local product to local audiences across a multi-arts platform, it will continue to offer affordable workshops for local people to develop their creativity, and it will continue to be a melting pot for the diverse people of the city. For it is the social fabric and cultural tapestry of the City of Glenorchy that is to be valued above any building or institution. Yet, in the case of the new MAC, it is wonderful to witness a building and organisation that is so decidedly dedicated to the people of this city.
Congratulations to all the people that made this happen.
The Art about Us program aims to work with communities through participation in an arts program led by an artist. This program aims to: enhance the wellbeing and development of children through participation in creative activities; develop confidence and ideas for parents to engage creatively with their children; and extend the skills, knowledge and confidence of early years practitioners around facilitating meaningful creative experiences for young children. Each program was based within a selected Child and Family Centres (CFC) that provided support and venue for the program. Staff at the Centre worked closely with the artist. The program supported an artist residency of twenty days.
This short film tracks my residency with students at Claremont College, Tasmania, as part of the Tasmanian AIR 2013 program.
For more information about the AIR program visit: http://www.arts.tas.gov.au/air
Video produced by MARK & TOM. http://markandtom.com
This project was assisted through Arts Tasmania by the Minister for the Arts and by the Australian Government through the Australia Council, its arts funding and advisory body.
The Individual Artists program invests in emerging and professional artists by assisting them to take their work to the next level. The program gives promising and talented artists working in any artform, the opportunity to undertake projects that will enable them to further their careers and enrich their artistic practice.
These projects may involve creative development, exhibiting, recording or producing works, writing and researching creative projects and concepts, market and audience development, professional development and taking advantage of promotional opportunities. Support may also available for travel and living allowance.
Applicants may include actors, arts administrators, choreographers, composers, crafts people, dancers, designers, musicians, playwrights, poets, bands, visual artists and writers, working as individual artists or in partnership.
Emerging and Experimental Arts focuses on research and development, creative development and experimentation.
We support artists who are exploring new and emerging art practices through our experimental arts grant programs. We also manage special non-ongoing initiatives such as the Creative Australia New Art program which supports artists to create major new experimental work. Emerging and Experimental Arts also partners with other boards of the Australia Council to deliver initiatives such as the Indigenous Experimental Art Fund; theHopscotch live art touring initiative; and the recent AlloSphere Artist Residency at the California NanoSystems Institute; virtual art laboratories with the Australian Centre for Virtual Arts (ACVA); We also are delivering one of the key Early Career Artist and Producer Program initiatives – SITUATE Art in Festivals.
Emerging and Experimental Arts arts also supports artists working with professionals from other disciplines, mainly through innovative art/science research collaborations as part of the Synapse initiative. Synapse provides Australia Council funding for successful applications to the Australian Research Council. The Synapse initiative allows artists to spend significant periods of time in scientific organisations and institutions to develop work in collaboration with scientists.
Artists working in this field are supported primarily through their own contacts and networks in their particular interest area. There is a strong connection between artists working in experimental contexts and practice-based research programs in universities, as well as strong international links.
A key event on the experimental arts calender this year is ISEA (International Symposium of Electronic Art) in Sydney in 2013. The Australia Council is a primary funder of the public program of this event.
The art show that believes there is life outside the galleries.
An insightful and humourous journey through an increasingly fragmented cultural landscape – where the Internet and communications have given us a set of cultural choices and influences unimaginable even a decade ago.